Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of CORNELIS VAN HAARLEM 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
70870 baptism of Christ CORNELIS VAN HAARLEM baptism of Christ Medium Oil on canvas Dimensions 170.5 x 206 cm
24597 Fohn the Baptist preaching (mk33) CORNELIS VAN HAARLEM Fohn the Baptist preaching (mk33) London The National Gallery
73242 Holy Family CORNELIS VAN HAARLEM Holy Family oil on canvas, by the Dutch artist Cornelis van Haarlem. 86.4 cm x 59.1 cm cyf
6159 Madonna and Child  vinxg CORNELIS VAN HAARLEM Madonna and Child vinxg 1617 Oil on canvas, 97 x 80 cm Amstelkring Museum, Amsterdam
6161 Massacre of the Innocents dsf CORNELIS VAN HAARLEM Massacre of the Innocents dsf 1591 Oil on canvas Frans Halsmuseum, Haarlem
6160 Massacre of the Innocents sdf CORNELIS VAN HAARLEM Massacre of the Innocents sdf 1590 Oil on canvas, 245 x 358 cm Rijksmuseum, Amsterdam
6158 The Baptism of Christ fd CORNELIS VAN HAARLEM The Baptism of Christ fd Oil on canvas Mus??e du Louvre, Paris
71913 The fall of Lucifer. CORNELIS VAN HAARLEM The fall of Lucifer. ca. 1588(1588) (1588-1590) Oil on canvas 239 x 307 cm (94.09 x 120.87 in)
6162 The Monk and the Nun ds CORNELIS VAN HAARLEM The Monk and the Nun ds 1591 Oil on canvas Frans Halsmuseum, Haarlem
6156 The Wedding of Peleus and Thetis (detail) dfg CORNELIS VAN HAARLEM The Wedding of Peleus and Thetis (detail) dfg 1593 Oil on canvas Frans Halsmuseum, Haarlem
6155 The Wedding of Peleus and Thetis (detail) fd CORNELIS VAN HAARLEM The Wedding of Peleus and Thetis (detail) fd 1593 Oil on canvas Frans Halsmuseum, Haarlem
6154 The Wedding of Peleus and Thetis (detail) fdg CORNELIS VAN HAARLEM The Wedding of Peleus and Thetis (detail) fdg 1593 Oil on canvas Frans Halsmuseum, Haarlem
6157 The Wedding of Peleus and Thetis (detail) sd CORNELIS VAN HAARLEM The Wedding of Peleus and Thetis (detail) sd 1593 Oil on canvas Frans Halsmuseum, Haarlem
6153 The Wedding of Peleus and Thetis df CORNELIS VAN HAARLEM The Wedding of Peleus and Thetis df 1593 Oil on canvas, 240 x 420 cm Frans Halsmuseum, Haarlem
72290 Venus and Adonis as lovers CORNELIS VAN HAARLEM Venus and Adonis as lovers 1614(1614) Oil on canvas 95 X 74.2 cm (37.4 X 29.21 in) cjr
71761 Venus and Mars CORNELIS VAN HAARLEM Venus and Mars 1628 Oil on panel 31.5 x 42 cm (12.4 x 16.54 in)

CORNELIS VAN HAARLEM
Dutch painter (b. 1562, Haarlem, d. 1638, Dutch painter and draughtsman, was one of the leading Northern Mannerist artists in The Netherlands, and an important forerunner of Frans Hals as a portraitist. Cornelis Corneliszoon was a member of the Mannerist school of Haarlem, which was highly influenced by the work of Bartholomeus Spranger, whose drawings were brought to Haarlem by Carel van Mander in 1585, and had a strong immediate effect.[1] He painted mainly portraits as well as mythological and Biblical subjects. Initially Corneliszoon painted large-size, highly stylized works with Italianate nudes in twisted poses with a grotesque, unnatural anatomy. Later, his style changed to one based on the Netherlandish realist tradition. When his parents fled Haarlem in 1572, as the Spanish army laid siege to the city during the Eighty Years' War, Corneliszoon remained behind and was raised by the painter Pieter Pietersz., his first teacher. Later, Corneliszoon studied in Rouen, France and Antwerp, Belgium. Corneliszoon in 1583 received his first official commission from the city of Haarlem, a militia company portrait, the Banquet of the Haarlem Civic Guard. He later became city painter of Haarlem and received numerous official commissions. As a portrait painter, both of groups and individuals, he was an important influence on Frans Hals. Together with Carel van Mander, Hendrick Goltzius and other artists, Corneliszoon formed the Haarlem Academy or "Haarlem Mannerists". Probably this was a very informal grouping, perhaps meeting to draw nude models, and certainly to exchange artistic views.[2] Corneliszoon also played a role in reorganizing the Haarlem artists' and artisans' Guild of St. Luke, eliminating its medieval organization and raising the status of the artists. Corneliszoon married Maritgen Arentsdr Deyman, the daughter of a mayor of Haarlem, sometime before 1603.
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